Wall·E: Simply Lovely

There are love stories, and then there’s Wall·E. Wall·E is clearly the best film I have seen in 2008, and perhaps not surprisingly, it is also one of the greatest love stories I have ever witnessed on screen.

Why is the love story between EVE and Wall·E so effective?

Because in the end, with all the technical prowess and intricate animation that is evident in the film, the most important thing about Pixar’s newest hit isn’t in the complexity of its craft, but instead in its simplicity.

Don’t worry, I won’t be posting any spoilers here. (Though judging from the money it made this weekend, I’m surprised there are still people out there that haven’t seen the film.)

Wall·E’s love for EVE is not one that is based on looks or sexual desire or even the need for self-validation through the eyes of another. It’s not selfish or wrought with unnecessary drama.

Instead, it focuses on the simple, basic, and wholesome need for companionship. It is centered upon the simple notion that we, as humans or as robots, need to be reminded that we are not alone, that there is someone out there that wants to dance and watch Hello, Dolly with us on our iPods.

Our lives are filled with work and commitments (directives?) that often distract us from simple and honest human interaction. Wall·E — both the character and the film — reminds us that these raw and unfiltered personal connections are what really drive us to (as perfectly noted by the Captain) live, and not just survive.

Pixar’s amazing focus on simplicity in its love story is most evident in the guiding premise of the film: through all the trials and tribulations, all Wall·E really wants to do is hold EVE’s hand. It’s hard to argue that that isn’t the most simple, basic, but beautiful expressions of love possible.

2008 Summer Movie Preview

I watch movies so you don’t have to.

And also because I enjoy them considerably.

Summer is the season of blockbusters. Hollywood studios spend millions of dollars in production and marketing to entice us all to take a trip to the local cinema and watch childish humor, unrealistic action, and overwrought drama. And I love it.

Like many other people who work in film criticism and appreciation, I love a meticulously-crafted independent film that has considerable artistic merit. That being said, I also love to see what Hollywood can produce when it pulls out all the stops: the blockbuster shows the true power of the film industry to push the boundaries of imagination and technology.

Some may argue that the blockbuster is losing its luster, but there’s no denying the appeal of the big-budget summer movie. The summer itself conjures up images of hot days, disposable income, romantic flings, and lots of time to waste: a perfect fit for the film industry who provides air conditioning and a great way to spend that time and money with your romantic flings.

Let me help you pick the good from the bad. Below, you’ll find a week by week breakdown of the standout and sleeper hit for each set of releases. For the movies that I have already seen, I have included a diamond rating (out of 5: ♦♦♦♦♦) next to the film title. Films that have been creating a lot of buzz but are almost guaranteed to disappoint will be marked as notable omissions.

Do note that finding a standout and sleeper for every single week was incredibly difficult because of the weakness of some of the releases for some weeks. Forgive me if I was stuck picking some duds over the summer.

May 2

Standout: Iron Man (♦♦♦)
Sleeper: Son of Rambow (♦♦♦♦)

May 9

Standout: Speed Racer
Sleeper: Frontier(s) (♦♦♦)

May 16

Standout: The Chronicles of Narnia: Prince Caspian
Sleeper: Reprise (♦♦♦♦)

May 23

Standout: Indiana Jones and the Kingdom of the Crystal Skull (Indiana Jones is going to be in the top three films of the summer. Releasing anything in the same week is the epitome of bad business.)

May 30

Standout: Sex and the City: The Movie (The only reason I have this film as the standout is because nothing else of interest is coming out this weekend — I’m wary of this film’s quality.)

June 6

Standout: Kung Fu Panda
Sleeper: Mongol (♦♦♦)
Notable Omission: You Don’t Mess with the Zohan

June 13

Standout: The Happening
Sleeper: The Incredible Hulk

June 20

Standout: Get Smart
Sleeper: The Love Guru

June 27

Standout: WALL·E
Sleeper: Wanted (Sure, this looks like an absolutely fantastic film, but betting against Pixar is not a smart thing to do. WALL·E is the in the top three films of the summer.)

July 4

Standout: Hancock
Sleeper: The Wackness (♦♦♦♦)

July 11

Standout: Hellboy II: The Golden Army (If this film is anything like the first one, it will be an instant classic that nobody will go see because they’re too busy watching that ridiculous Eddie Murphy movie coming out this week.)

July 18

You want to hear predictions? Well, here you go: The Dark Knight will not only be the best (quality-wise) blockbuster this summer, but it will also be highest grossing film of the season. In fact, I’m going to say it’ll be the second highest-grossing film of the year. And that Heath Ledger gets nominated for an posthumous Academy Award.

How’s that for expectations?

July 25

Standout: The X-Files: I Want To Believe
Sleeper: Step Brothers

August 1

Let’s pretend this weekend doesn’t exist. Because there’s clearly nothing even remotely tolerable opening. (Unless, of course, you can tolerate Brendan Fraser, but that’s definitely a skill I haven’t acquired just yet.)

August 8

Standout: Pineapple Express
Sleeper: The Sisterhood of the Traveling Pants 2

August 15

Standout: Nothing Is Private (♦♦♦♦♦)
Sleeper 1: The International
Sleeper 2: Tropic Thunder

August 22

Standout: Hamlet 2
Sleeper: Bangkok Dangerous

That’s all for now, I guess. I’ll write an update post at the end of August either apologizing for all the mis-picks in this post, or gloating about how I got everything right. Either way, there’s an exciting summer of movie-watching ahead.